Christian music was at one time the exclusive domain of the churches. A sound rule of thumb has always been that the best theology produces the best music. But for a century or so music has emerged from the corporate worship of the churches to take on a life of its own. Christian music has become an institution that is separated from the churches and often, it seems, from theology and the Bible. Christians have the opportunity not only to sing but to listen to music, and the drift from worship to performance continues with no end in sight. Added to this, the spectrum of what presents itself as distinctively "Christian" seems to know no bounds. Christians who wish to be discerning about their music consumption should consider at least four rudimentary criteria. Music that claims to present or represent the Christian message must in the first instance be worshipful. Christianity directs us to the throne of God, not a platform for man. It should of course be biblical, in that it accurately and truthfully communicates the message of the Bible. It should be excellent, both in its content and in the way it is presented. God is the God of excellence and Christian music should reflect his character and his works. And it should be edifying to the people of God. Christians look for what is edifying rather than entertaining, because entertainment is only concerned about the event or the moment.

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